User manual DIGITECH GENESIS1

[. . . ] A Return Authorization number may be obtained from DigiTech by telephone. The company shall not be liable for any consequential damage as a result of the product's use in any circuit or assembly. DigiTech reserves the right to make changes in design, or make additions to, or improvements upon this product without incurring any obligation to install the same on products previously manufactured. 6. The consumer forfeits the benefits of this warranty if the product's main assembly is opened and tampered with by anyone other than a certified DigiTech technician or, if the product is used with AC voltages outside of the range suggested by the manufacturer. 7. The foregoing is in lieu of all other warranties, expressed or implied, and DigiTech neither assumes nor authorizes any person to assume any obligation or liability in connection with the sale of this product. [. . . ] LINE OUTPUT - (1/8" Stereo TRS) - Connect to a computer sound card input, or line level input with this jack. FOOTSWITCH Jack - Connect the FS300 footswitch to remotely control effects to this jack. POWER Jack - Connect only the Digitech PS913B power supply to this jack. Setup Connections The Genesis 1 has several different connection options. You can run mono into an amp or power amp, stereo into two amps, stereo direct into a mixing console, direct into a computer sound card, or any combination of these. Before connecting the Genesis 1 to your system, make sure the Genesis 1 is OFF and your system is ON. Powering Up 1. Turn the volume completely down on your system. 6. While playing, slowly turn up the LEVEL knob to the desired listening level on the Genesis 1. 2 Below are some examples for connecting the Genesis 1 to different types of systems. When running stereo into 2 channels of a mixer, be sure to set the channel pans to hard left and hard right: Footswitch Operation If you have chosen to purchase the Digitech FS300 footswitch, you can remotely control the Genesis 1. Each button of the FS300 functions with the Genesis 1 as follows: Footswitch A - Bypasses modulation effects Footswitch B - Bypasses delay and reverb effects. Footswitch C - Bypasses all modeling and effects, Models and Effects Functions The Genesis 1's user interface doesn't complicate things with programming functions. Its basic approach provides individual settings that the user can change, without the complexity of programming. The following explains how each control functions: 3 Amplifier The Genesis1 has eleven amp models to select from including 2 models created using GENETXTM technology. The amp models are: Black Face: `65 Fender Twin Reverb Boutique: Matchless DC30 Rectified: Mesa Dual Rectifier Brit Stack: `78 Marshall Master Volume Tweed: `57 Fender Tweed Deluxe Brit Combo:Vox AC30 Fuzz: A vintage fuzz distortion Hot Rod: Mesa Boogie Mark II C High Gain: A high gain tube amp GENETXTM Gain: Rectifier and High Gain HypermodelTM GENETXTM Crunch: Hot Rod and Brit Stack HypermodelTM Marshall® is a registered trademark of Marshall Amplification Plc. Fender, Matchless, and Mesa Boogie, are trademarks of their respective companies and are in no way associated with DigiTech. Cabinet The Genesis1 has ten cabinet types and one direct setting to select from. The Cabinet knob has a pointer that identifies the selected cabinet type. The cabinet types are: Direct American 4x10 British 4x12 Vintage 4x12 Tweed 1x12 Green 4x12 British 2x12 American 2x12 Blonde 2x12 GENETXTM 2x12 GENETXTM 4x12 Compressor The Genesis1 compressor is used to limit peak signals (LOW/MED) or to increase sustain (HIGH). The Compressor button has a 3-color LED (Red, Green, Yellow) that indicates the 3 different compressor settings. Press the COMP button until the LED color lights with the setting you want to use. [. . . ] To bypass the modulation, press the button until the LED goes off. Delay/Reverb The Genesis1 is equipped with both delay and reverb. Delay records a portion of the incoming signal, and plays it back at a set time. Reverb gives the listener a sense that the music is being performed in various acoustical environments. Both delay and reverb can be used independently or they can be used together. [. . . ]